{"id":2897,"date":"2019-04-15T21:57:54","date_gmt":"2019-04-15T21:57:54","guid":{"rendered":"http:\/\/avantimedia-fiction.de\/?page_id=2897\/"},"modified":"2026-03-11T15:35:16","modified_gmt":"2026-03-11T15:35:16","slug":"festivals","status":"publish","type":"page","link":"https:\/\/avantimedia-fiction.de\/en\/festivals\/","title":{"rendered":"FESTIVALS"},"content":{"rendered":"

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FESTIVALS<\/h2>\n

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KREATOR \u2013 HATE & HOPE<\/h3>\n

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Filmfest Munich, New German Cinema, Germany – World Premiere (2025)<\/h4>\n

IN-EDIT Barcelona, Spain (2025)<\/h4>\n

Festival of German Cinema in Beijing, China (2025)<\/h4>\n

Rokumentti, Finland (2025)<\/h4>\n

Thessaloniki International Documentary Festival, Greece (2026)<\/h4>\n

Night Visions – Y\u00d6N KUVAT RY, Finland (2026)<\/h4>\n

Berlin & Beyond Film Festival San Francisco, USA (2026)<\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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FCK 2020 \u2013 2 1\/2 years with Scooter<\/h3>\n

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26. TALLINN BLACK NIGHTS FILM FESTIVAL 2022<\/h4>\n

30. FILMFEST HAMBURG 2022<\/h4>\n

GERMAN FILM FESTIVAL 2023<\/h4>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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DIE TOTEN HOSEN \u2013 YOU ONLY LIVE ONCE<\/h3>\n

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69th Berinale, Special Gala section 2019<\/h4>\n

We are happy to announce that our documentary \u201cDie Toten Hosen \u2013 You only live once\u201d celebrated its World Premiere in the Special Gala section of this year\u2019s 69th Berlinale.<\/p>\n

59th Krakow Film Festival 2019<\/h4>\n

Nominated for the best international music film.<\/p>\n

German Documentary Film Award 2019<\/h4>\n

Nominated for the best music film.<\/p>\n

34. Mar del Plata International Film Festival 2019<\/h4>\n

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LOU ANDREAS-SALOM\u00c9 \u2013 THE AUDACITY TO BE FREE<\/h3>\n

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5. Socially Relevant Film Festival New York 2018<\/h4>\n

Grand Prize Narrative Feature<\/p>\n

5\u00e8me Semaine du Cinema Allemand de Dinard 2017<\/h4>\n

Le Bretzel d\u2019or, prix du public<\/p>\n

27th International Filmfest Emden-Norderney 2016<\/h4>\n

NDR-Filmprize, audience award<\/p>\n

RATING “EXCEPTIONALLY WORTHWILE” OF THE “FILMBEWERTUNGSSTELLE” 2016<\/strong><\/h4>\n

Jury\u2018s statement:<\/strong>
\n\u201eThe Russian-German writer, philosopher and psychoanalyst Lou Andreas-Salom\u00e9 was an extraordinary personality; freedom-loving, smart, fearless and thirsty for knowledge. In her feature film, Cordula Kablitz-Post found stylistic devices for meeting the complexity of the character and her historical significance. In the subplot, she is presented to us as a 70-year-old intellectual, who in 1930s Germany, after the books burnings, must expect to be discriminated against and persecuted by the National Socialists. Thus she first encounters the young philologist Ernst Pfeiffer with suspicion when he asks her to treat him for his writer\u2019s block. The treatment consists of her dictating her life story to him in the course of many sessions. Nicole Heesters plays her with a confident serenity in these sequences. One accepts her analytical intelligence and the spiritual independence that characterized the main character, and this performance, which should not be underestimated, is equaled by the three other actresses who embody Lou Andreas-Salom\u00e9 in the flashbacks, in which key scenes from her life are shown. An early act of rebellion during church services, arguments with her mother, and a very comical sequence during a social reception in which, instead of the customary small talk chit chat, she gives gives a small philosophical performance., by which she seems to seduce one of the gentlemen with her sheer brilliance. She had the same effect on the young Rainer Maria Rilke and Friedrich Nietzsche, and even if Cordula Kablitz-Post took a great deal of time to show her relationships to these well-known historical figures, there can be no question that she was defined through them. Instead, it seems to be she who forms the personalities of the still young men, by for example, encouraging Ren\u00e9 Maria Rilke to become a better poet and making him change his name. Kablitz-Post succeeds in bringing Rilke, Nietzsche and later also Sigmund Freud to life in a few, striking performances, using their well-known mannerisms without exaggerating them and thus creating caricatures. And they all speak in cleverly constructed and formulated dialogues, each of which reveals their vision of the world and their talent, without ever seeming artificial. The scenery, costumes and make-up look authentic, but Kablitz-Post also works with small stylistic hooks with which she indicates that she is reproducing the past playfully; at some edit points, at which times and places change, she briefly uses short animated settings motifs from old postcards in which she her protagonist move around. She doesn\u2019t rely on entrenched, rigid images \u2013 it is clever, original and visually appealing. Cordula Kablitz-Post is intelligent, artistically convincing on all levels, and has succeeded with a surprisingly entertaining movie.\u201c<\/p>\n

2016, Festival of German Films Ludwigshafen
\n2016, International Filmfest Emden-Norderney
\n2016, Shanghai IFF
\n2016, Festival of German Cinema China
\n2016, Festival of German Films Paris
\n2016, Days of German-language Cinema Nicosia
\n2016, German Filmfest Australia
\n2016, Tbilissi IFF
\n2017, GI Bangkok Open Air Festival
\n2017, Berlin & Beyond
\n2017, Bengaluru International Film Festival
\n2017, Goethe Institut Strasbourg
\n2017, Jewish Film and Cultural Festival of Lisbon
\n2017, \u201eCreative Woman\u201c Film Cycle Segovia, Spain
\n2017, Cleveland IFF
\nNomination: Real Women Direct Award for Excellence in Directing by a Woman
\n2017, Julien Dubuque IFF
\n2017, Seoul International Agape FF
\n2017, German Language Film Fest in Ottawa
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HIGH MAINTENANCE<\/h3>\n

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16th Aspen Shortsfest 2007<\/h4>\n

BAFTA\/LA Award for Excellence – Honorable Mention<\/p>\n

Boulder International Film Festival, 2007<\/h4>\n

BIFF Award for Best Short Film<\/p>\n

Camerimage, 2007<\/h4>\n

Nominee Golden Tadpole<\/p>\n

Florida Film Festival 2007<\/h4>\n

Best International Short – Audience Award<\/p>\n

Gen Art Film Festival 2007<\/h4>\n

Best Short Film \u2013 Acura Grand Jury Award
\nBest Short Film – Audience Award<\/p>\n

HATCHfest 2007<\/h4>\n

Groundbreakers Award \u2013 Best Cinematography
\nGroundbreakers Award \u2013 Best Director<\/p>\n

Seattle International Film Festival 2007<\/h4>\n

Golden Space Needle Award \u2013 Best Short Film<\/p>\n

Student Academy Awards 2007, USA<\/h4>\n

Silver Medal – Narrative<\/p>\n

Sundance Film Festival 2007<\/h4>\n

\u201eDelta\u2018s Fly-In Movies\u201c Film<\/p>\n

HBO Comedy Arts Festival 2007<\/h4>\n

AFI Filmmaker Award \u2013 Best Short Film<\/p>\n

56th Berlin International Film Festival 2006<\/h4>\n

Talent Campus Award[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”2220″ img_size=”large” alignment=”center” css=”.vc_custom_1762602757313{border-radius: 1px !important;}”][\/vc_column_inner][\/vc_row_inner][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row el_class=”container”][vc_column][vc_column_text css=”.vc_custom_1556830922780{padding-bottom: 10px !important;}”] FESTIVALS [\/vc_column_text][vc_separator][vc_column_text] KREATOR \u2013 HATE & HOPE [\/vc_column_text][vc_row_inner content_placement=”top”][vc_column_inner width=”2\/3″ css=”.vc_custom_1555368286141{padding-right: 30px !important;}”][vc_column_text] Filmfest Munich, New German Cinema, Germany – World Premiere (2025) IN-EDIT Barcelona, Spain (2025) Festival of German Cinema in Beijing, China (2025) Rokumentti, Finland (2025) Thessaloniki International Documentary Festival, Greece (2026) Night Visions – Y\u00d6N KUVAT RY, … Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-2897","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/avantimedia-fiction.de\/en\/wp-json\/wp\/v2\/pages\/2897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/avantimedia-fiction.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/avantimedia-fiction.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/avantimedia-fiction.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/avantimedia-fiction.de\/en\/wp-json\/wp\/v2\/comments?post=2897"}],"version-history":[{"count":10,"href":"https:\/\/avantimedia-fiction.de\/en\/wp-json\/wp\/v2\/pages\/2897\/revisions"}],"predecessor-version":[{"id":4093,"href":"https:\/\/avantimedia-fiction.de\/en\/wp-json\/wp\/v2\/pages\/2897\/revisions\/4093"}],"wp:attachment":[{"href":"https:\/\/avantimedia-fiction.de\/en\/wp-json\/wp\/v2\/media?parent=2897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}